The band toured for two years to promote their debut album, during their tours they wrote over eighty songs thinking they would use them on their sophomore album. Upon returning home to Kentucky, they secluded themselves in rural cabins and scratched all eighty songs. Instead they wrote all new songs for their sophomore album, “Happy Birthday, Thank You”.

The front man, Matt Shultz, said that their debut album was based on fear writing, he wanted something more honest and authentic for the sophomore album. “Happy Birthday, Thank You”, seems to be heavy on the punk sound with heavy metal inspired guitar riffs. Fans need to not worry, there are still songs that favor the soulful funk that made this band popular.You thought this was good? Brace yourself: An Early Ending – Igniter

The Washington Post called the Kaputt album “Destroyer’s most impressive achievement to date.” And for good reason. The album is a new sound for Destroyer, and has been received by critics all over.Never heard of this before? Get up to speed here. The first singles “Bay of Pigs” and “Archer on the Beach” sold out within the first month of their releases.

The sounds provoke a chilling calm as well as an inspiring affinity. Lyrics are strong, as well as the jazzy, melodious grooves that will pull the listener in within minutes of listening to the album. The music is timeless, and the lead singer’s voice is something that stands out, revealing his personality to the listener with every song. On the Kaputt album, Dan Bejar’s voice pairs well with the synthesizer sound that is prevalent on the album and reminiscent to the 1980′s.

A very good album, unique and inspiring. It is complex while hanging on to the beautiful simplicity that is music.

The amazing imagery starts with the very brilliant album cover, and continues through most of the songs. Favorite songs of “Kiss each other Clean” like “Me and Lazarus” and “Tree by the River” create a dream-like atmosphere with the poetic riffs and lyrics. Other great qualities about this album are the multi-part vocal arrangements, electronic synth sounds (like DJ scratching), and the horn sections like in “Big Burned Hand”. The producer, Brian Deck, and Sam Beam have a great relationship that creates a comfortable feeling throughout the album, Beam’s musical experimentation (trying new sounds for example)gives Deck a challenge that he was meant to conquer.

If you like listenig to music like Fleetwood Mac or Stevie Wonder, listen to Iron and Wine’s “Kiss each other Clean”, and you will be delighted with what you hear.

Although they lack global recognition (for now), this upcoming young band is obviously influenced by trendy bands of early “pop rock” like “The Monkees,” “The Animals,” and even “The Beatles.” Despite early influences heard in their music, they found uniqueness highlighting the smooth voice of lead singer, Jetson Black, whose vocals mesh seamlessly with those of Reah Smith and Kim Drake. Hard-hitting brother, Skyler Black, keeps the rigid beat on drums.

The “Black Rabbits” possess talent not seen in many current bands that rely heavily on mixing and tuning. Their music has just enough raw nature to make it sound as though you were sitting in the garage while they rehearsed and recorded the tracks to their self-titled EP. This album is a cunning mixture of melodic riffs and consistently power-packed pulses which makes for an interesting, and memorable, listen. This is why we love the “Black Rabbits.”

Danger Mouse and Mark Linkous (a. k. a. Sparklehorse) initially developed the concept meant for Dark Night of the Soul when performing collectively in the 2006 Sparklehorse recording Dreamt for Light Years in the Belly of a Mountain. Linkous wrote several tunes he had not been at ease performing, therefore Danger Mouse recommended acquiring another person to perform the words. The outcome is definitely a star studded ensemble with invitee performers, such as the Shins’ James Mercer (who not too long ago performed with Danger Mouse for the Broken Bells album), Julian Casablancas from the Strokes as well as Iggy Pop, all of which feature their own presentation within the Danger Mouse and Sparklehorse tunes.

“As we all completed the tunes aided by the numerous performers, many of us began to observe a few intriguing habits, ” Burton states. “We’d in no way offered any particular path to many of the performers included. However, in that respect there was a widespread subject matter within the lyrics and experience from the tunes. There is agony, vengeance, conflict, sprained aspirations along with other magnificently haunting aesthetic elements with it virtually.”

Components to these haunting artistic elements ended up seized in the group of surreal photos filmmaker David Lynch developed, in line with the tales and subjects in the tracks. The actual photos can be found in a 48-page guide inside the elite variation for Dark Night of the Soul, that additionally features a poster, postcards, 2 LPs, the COMPACT DISC along with a special instrumental COMPACT DISC. Lynch on his own, in fact, sings for a handful of songs within the recording.

Dark Night of the Soul is as odd and ominous as you may might anticipate via David Lynch or Mark Linkous, whom tragically comitted suicide preceding this current year. (One of the invitee vocalists for the recording, Vic Chesnutt, additionally killed himself in Dec. ) However, Dark Night offers it’s enjoyable instances, as well. It is the ideal union with pleasure plus sadness, and another of the most extremely remarkable selections of tunes within the previous season.

This disc will undoubtedly be hailed as the ‘maturing’ album for the band by proving that they can quickly put out a follow up as strong as their debut effort but with some contrived songwriting and paint by numbers musicianship evident on nearly half of this release, the band has proven there is still much growing up to do. While this effort has some promising songs such as the epic ‘The Ballad of Moose Bruce’, this Canadian trio needs to display a bit more musical faith in the listeners and themselves if they wish to remain relevant and not simply irreverent.

It was simply a matter of cost-benefit, according to bassist Jamie Holm. She says the decision to partner with BitTorrent will help the band attract new fans to their concerts where merchandise sales can be significant. The decision has worked out better than Sick of Sarah could have imagined.

Of course, the fact that BitTorrent wrapped the album with downloads of their program helped the seeder numbers. But the music has its own kind of infection with a post-punk, decidedly feminine point of view. The line-up has changed since the group emerged from Minneapolis is 2005, and in 2008 they were named “Best Emerging Artist” at Summerfest in Milwaukee. The BitTorrent release, “2205″ is a bouncy journey through relationships and apparent one-night-stands. Hey, if the boys can sing about it, why not the fair sex?